Bint al-Sultan

For those who love Egyptian oriental dance and baladi! Take a deep dive into old-school shaabi with this program, on dancing to the classic hit Bint el Sultan.
Sung by the original king of shaabi, Ahmed Adaweia, this was a hit during its time, and a popular song for dancers. In this program, we explore the cultural and political context as well as the lyrics…and of course how to dance to it, inspired by famous dancers Soheir Zaki, Nagua Fouad, and Fifi Abdou!
The song expresses Egypt's highly class-stratified society, with a great separation between rich and poor. Adaweia came from a poor background, but made it rich through his amazing singing voice and mastery of Arabic maqam. I cover the meaning of the song's lyrics as well as the dance approach, and I think you'll enjoy it!

In this Program:
4 ½ hours of video discussion & instruction
Famous dancer videos with commentary
Baladi technique focus on Soheir Zaki, Nagoua Fouad, and Fifi Abdou, including special focus on the "jewel"
Bint al-Sultan song lyrics breakdown - learn the Arabic!
Cultural context, for deeper understanding of Egyptian society and social roles of "regular people" and entertainers
Accordion taqasim baladi dance-through practice, for improvisation inspiration
Baladi song dance-through practice (Ya Baladi ya Wad)
LIFETIME access to course videos
Discussion forum to ask questions
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COMMENTS FROM GINGER CITY MEMBERS
“I love the depth you go into with the movements of baladi and the Golden Era dancers and period.”
– Kerry Stewart (Australia) Editor, Bellydance Oasis Magazine
"I'm so happy to dance with Ranya! I love to watch dance videos with your comments. I learned a lot!
I really appreciate your historical & cultural comments as well as when you explain Arabic words & lyrics."
– Tatiana Sundstrom
“Thank you for sharing all of your expertise. The content is very useful and unique. A game changer!”
– Heidi Martin, France
“I'm thankful for this opportunity to continue studying with Ranya! The website is a great resource for dancers who care about not only about technique, but also about history, protocols, and dancing with cultural respect.”
– Holly Pattison, British Columbia, Canada
“A treasure trove of Egyptian dance that is second to none”
– Alexandra Rederer, Germany
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